Emma Lao

Habits

Tarot

Wellness

Hobonichi

Productivity

Media Studies

A Photo Story: The Hobby Farmer’s Morning

Dr. Dennis Richardson leads a busy life as a full-time professor at Quinnipiac University and one of the lead researchers for parasitology in the country. However, his day begins long before he starts his preparation for classes. Four years ago he and his family moved to a small farm in Meriden, CT where he discovered his love for breeding, milking, showing, and caring for Nigerian Dwarf Goats.

The alarm goes off anytime between 5:30 and 6:30 a.m.
First order of business: coffee. This is the first of two cups for the hour.
The ducks have their own house outside the main barn.
The six ducks that Dennis owns are shown every year at local fairs. Last year his drake earned many “Champion Waterfowl” titles.
Next comes the barn, home to the goats and chickens.
Fernie eagerly jumps onto the milk stand ready for her morning grain. Without the meal, they can get a little rowdy.
There are five milking does, each producing about a pint of milk a day. At their height it can be up to a quart each.
Dennis’ main source of nutrition is goat’s milk, whether it be in the form of creamer, yogurt, cheese, or ice cream. He has not bought a bar of soap from a store in years – all of the soap bars in his house are made from goat’s milk and lye.
While the products may have been why he began his goat venture, the dairy goats quickly became pets. Every morning he takes a coffee break with Trixie, his first Nigerian Dwarf Goat.
Once Dennis gets all of he milk he needs, it is the kids’ turn. He has six baby goats from last Spring’s batch that he admits should have been sold already, but are hard to give up.
At last, the animals are set free to their spacious yard where they will graze, play, and lay around for the day until it is time for them to be put to bed at sunset.
It is 7 a.m., the sun has fully risen, and it is time for Dennis to start his day at his real job as a Professor. While teaching is his career, his true passion lies in farming.

His interest in farming has manifested itself in many ways since he was a child born & raised in Arkansas. From owning a few cattle and horses, to moving to the Connecticut suburbs where he had a small garden plot and hen house, to establishing a real business with his hobby farm his sustainable, do-it-yourself lifestyle has fully manifested. He is dreaming of the day when he can retire and move back to the country so that he can live in a goat-filled paradise.

Photo narratives are becoming increasingly prevalent in journalism. As Eman Shurbaji explains in her article Photo narratives: Defining picture stories, essays and packages, “photos, unlike text, video or maps, have the potential to show an exact representation of an exact moment.” Adding a human face to an issue or situation can make it feel much less abstract and lead to more interest and change.

While design was an overlooked aspect of journalism before traditional media had at way to easily incorporate images, it has quickly become one of the most pivotal parts of planning and telling a story. Writing, editing, and design have now become “a single unit of thought” in journalism. Visuals are no longer an afterthought to a story – they are something that can clarify, engage, and convey the story to the audience with ease.

My goal for this short project was not as grand as James Nachtwey’s work and the many impressive visual journalism articles shared by Annie Schugart, but it was still something that is near and dear to my heart. I wanted to share the daily routine that my father has every morning – something that many people would not expect him to do, being a PhD in Biological Sciences and a well established professor. Like all of my documentary work, I wanted to show the raw, unfiltered story of what it is like to be a person in this world – including all of the weird little unexpected aspects of being human.

For the majority of these photos I am attempting to appeal to the viewer’s visceral response of seeing a person work closely with animals and what that entails. In the first image the light on the bedside lamp and time on the clock gives the immediate reaction that this is an early-riser. The image of the barn door being opened, the warm lights contrasting with the cool tone of dusk, shows that something is about to begin – in this case, morning chores.

My favorite image, and that which I feel captures the most emotion, is the one where he is sitting beside Trixie, watching her eat. Not only does that orange glow of the barn lights add a friendly energy to the image, but the composition of everything being level to each other shows equality. My father, Trixie, and the camera are all at the same level – no entity has a dominant force over the other. This is also an instance of “capturing the moment” (an idea explained in Seth Gitner’s book) where the farmer does not see an animal as a tool, but as family.

Many of the techniques I used to create these images stems form my experience creating documentary films. Most of the angles I used were from a lower position – I wanted to be at the level of the action, not above it. I also did my best to be invisible. This was easier since I was working with my father who is comfortable with me and used to me taking pictures around him, but it was a little more difficult when it came to curious goats who want to approach me and chew on my camera strap. I had to adapt and switch from a 50mm to my 24-75mm so I could have more flexibility with close subjects.

I also kept The Four Principles of Visual Storytelling in mind as I did my shoot. I told my father to do his morning chores as usual – nothing was staged and it was all authentic (yes, he uses that coffee cup every morning). Emotion came into play in the shot with him and Trixie spending some quality time together, taking a break from all of the business in the morning routine. The narrative was extremely personal – there are very few biology professors who as goat-crazy and willing to wake up before dawn for their passion of goat farming.

While this story may not be as profound as many other works of photo journalism, it at least is something positive to see (when most people veer towards negativity in stories) and gives a good dose of humanity to the reader’s perspective on hobby farmers.

Campbell, David. “Why it’s time for visual journalism to include a solutions focus.” Medium, 22 Jan. 2018, https://witness.worldpressphoto.org/why-it-is-time-for-visual-journalism-to-include-a-solutions-focus-5be15aec3afc. (Module 4)
Cao, Jerry. “Web design color theory: how to create the right emotions with color in web design.” The Next Web, 7 April 2015, https://thenextweb.com/dd/2015/04/07/how-to-create-the-right-emotions-with-color-in-web-design/. Accessed 4 Sept. 2020. (Module 2)
Dahmen, Nicole. “How to Do Better Visual Journalism for Solutions Stories.” MediaShift, 22 Nov. 2017, http://mediashift.org/2017/11/visually-reporting-solutions-stories-newsrooms-classrooms/. (Module 4)
Garcia, Mario R. “Digital storytelling, Part One: The fusion of writing/editing/design.” Garcia Media, 19 Jan. 2017, https://garciamedia.com/blog/digital_storytelling_part_one_the_fusion_of_writing_editing_design/. (Module 4)
Gitner, Seth. Multimedia Storytelling for Digital Communicators in a Multiplatform World. New York, Routledge, 2016. (Module 1)
Lien, Jade. “The Four Principles of Visual Storytelling.” Action, 21 Dec. 2019, https://actiongraphicsnj.com/blog/4-principles-visual-storytelling/. (Module 1)
Nachtwey, James. “My wish: Let my photographs bear witness.” TED, March 2007, https://www.ted.com/talks/james_nachtwey_my_wish_let_my_photographs_bear_witness. (Module 4)
Norman, Donald A. & Ortony, Andrew. “Designers and Users: Two Perspectives on Emotion and Design.” “Foundations of Interactive Design”, Nov. 2003, http://projectsfinal.interactionivrea.org/2004-2005/SYMPOSIUM%202005/communication%20material/DESIGNERS%20AND%20USERS_Norman.pdf. Accessed 4 Sept. 2020. (Module 2)
Sagolj, Damir. “7 Photojournalism Tips.” Thomson Reuters Foundation, 2012, https://vimeo.com/48815231. (Module 4)
Schugart, Annie. “The Best in Interactive Multimedia Journalism 2017: Pushing the Limits of Storytelling.” Medium, 1 Jan. 2018, https://medium.com/@aschugart/the-best-in-interactive-multimedia-journalism-2017-pushing-the-limits-of-storytelling-e2ccdec8e576. (Module 4)
Shurbaji, Eman. “Photo narratives: Defining picture stories, essays and packages.” Medium, 17 Dec. 2014, https://medium.com/learning-journalism-tech/photo-narratives-d77b812f99dd. (Module 4)

Emma Lao

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2 responses to “A Photo Story: The Hobby Farmer’s Morning”

  1. Hi Emma!

    Great job with your photo essay! I love how you showed you father’s morning routine. It’s a story we don’t get to see too often these days.

    Your images are very strong and I can tell you know your way around a camera. I love all your photos, but 1, 5, 6, and 8 are my favorites. You did a great job with composition, framing, and subject matter.

    For your essay portion, I agree that the image of your father watching Trixie clearly captures the moment. I’d argue that one of the central themes for your essay is the hidden moments of a morning routine! I also agree that you did an excellent job of staying hidden to capture an authentic moment.

    Overall, everything was clear, and you did a great job incorporating all of the readings as well.

    Jennifer

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  2. Hey Emma,

    Your pictures are beautiful. I love your family’s story, especially as seen through your lens. I would love to see more of this explored via the captions. There is existing information here that supplements the photo story, like his relationship with Trixie and his animal products. The details are a little more sparse earlier in the story, which leaves room for deeper exploration and connection with the reader. You could consider, for instance, adding to the first caption with the alarm clock how your father’s morning routine differs now from the past. This might provide an entryway for more details as to how and why he made this lifestyle change, which is one question that I was left asking as a reader.

    I would also consider the intersections of writing, editing, and design within your piece. As discussed in the reading, it’s typical for the average communicator to dig deeper into one of these fields than the other. Your piece tilts heavily on the design side with the majority of the length being photos rather than copy. Because your narrative is so consistent and calm, I think you have room in the written portion to consider environmental factors that make the scene more vivid for the reader, like explanations of the sights, sounds, and smells of the farm. What does it sound like when the goats aren’t fed and get rowdy? Do their bleats pierce the otherwise still morning air? Do they wake your family up or disturb the goats? All things to consider to help set the scene and full envelop you reader.

    Hope this helps!
    Colleen

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